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Showing posts with label navigation. Show all posts
Showing posts with label navigation. Show all posts

Saturday

Content no more




Linked by David Adams on Sat 5th Jul 2008 04:57 UTC, submitted by snydeq


Neil McAllister raises questions regarding the Web now that it no longer resembles Tim Berners-Lee's early vision: Is the Web still the Web if you can't navigate directly to specific content? If the content can't be indexed and searched? If you can't view source? In other words, McAllister writes, if today's RIAs no longer resemble the 'Web,' then should we be shoehorning them into the Web's infrastructure, or is the problem that the client platforms simply aren't evolving fast enough to meet our needs.
Download ebooks on http://www.frenchtheory.com/ - See that post with different algorithms in metabole - See the journal French Metablog with today different posts - Jean-Philippe Pastor
With the movement to the Web, the nature of electronic literature changed as well.

Whereas early works tended to be blocks of text (traditionally called lexia) with limited graphics, animation, colors and sound, later works make much fuller use of the multi-modal capabilities of the Web; while the hypertext link is considered the distinguishing feature of the earlier works, later works use a wide variety of navigation schemes and interface metaphors that tend to de-emphasize the link as such. In my keynote speech at the 2002 Electronic Literature Symposium at UCLA, these distinctions led me to call the early works "first-generation" and the later ones "second-generation," with the break coming around 1995. To avoid the implication that first-generation works are somehow superseded by later aesthetics, it may be more appropriate to call the early works "classical," analogous to the periodization of early films. Shelley Jackson's important and impressive Patchwork Girl can stand as an appropriate culminating work for the classical period. The later period might be called contemporary or postmodern (at least until it too appears to reach some kind of culmination and a new phase appears).

By N. Katherine Hayles

Download ebooks on http://www.frenchtheory.com/ - See that post with different algorithms in metabole - See the journal French Metablog with today different posts
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Thursday

Continents of knowledge


At the heart of the problem of hypertext lie the essential design issues of "filtering" and "navigation."

In its raw state, any system that "links continents of knowledge" would overload its user with choices. An undergraduate encountering Heart of Darkness might want to know something about the geography of the Congo, the history of Conrad's travels in Africa, and the iconography of light and dark in western literature -- but she probably would not want to visit these discursive places before exploring the world of Conrad's narrative.
Hypertext demands a mechanism that affords users flexible, filtered access to information, something that has been described as "broadcatch" (Brand 42-45). Once filtered for relevance, information has to be put before the reader in a way that preserves both the coherence of a present line of thinking and the freedom to explore alternative pathways.

See that post with different algorithms in metabole
See the journal French Metablog with today different posts
Enter Hypertextual as a member

Monday

Flight of birds


Metaphors for interactivity in electronic narratives are rich and varied.

Some critics define the navigation actions taken by the reader as a kind of augury. In this interpretation, the reader is seen as the Roman augur, anticipating from the flight of birds the direction that the story will take. Some critics liken the electronic narrative to a game - one in which the reader becomes a player, selecting options to obtain a favorable outcome.
Others cite the Wunderkammer, holding that the electronic narrative provides the associational structure of a medieval cabinet or an assemblage by Joseph Cornell. And, still others describe the gathering of narrative incidents as bricolage – a wandering about, in which the reader uses whatever comes to hand to construct a personal collage - narrative. All of these metaphors provide insight into the process by which readers identify, select, and make connections between narrative elements in electronic literature.

However, each of them elides the complexity present in current electronic works. Comparing it to linear activities or even to physical spatial constructs may not adequately represent the nature of interactivity in electronic literature today. While electronic literature has considerable materiality, the syntax of interactivity is not so much a process or place, it is more like a language itself. As such, the links between electronic objects and between narrative events and outcomes have a flexibility akin to the grammar of transitions. Aspects of multilinearity, simultaneity, movement/resistance, and media oscillation all enter the inter-active potential of a hypermedia text (from M.C.Luesebrink).
Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts

Friday

Space between two posts

Hypertext navigation means not only traversing a space between two points in the narrative.

To Terry Harpold, it means as well electing to diverge from a predetermined course. The possibility that the reader may choose to digress from a path of the narrative, and remain within a field/terrain that is still identifiably that of the text she is reading, greatly complicates metaphors of intentional movement that may be applied to the act of reading.You might not get there, and something might happen to you along the way. The digressions of hypertexts are narrative instances of slippages in the fabric of language from which they are woven. The link serves not only to join the threads it associates, but also to circumscribe a place where the threads are divided from one another.

The link is where the narrative takes a turn around a place that is inaccessible because you can only encircle it.


Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts
Enter Hypertextual as a member

Sunday

What is navigation


Hypertext navigation means not only traversing a space between two points in the narrative.


To Terry Harpold, it means as well electing to diverge from a predetermined course. The possibility that the reader may choose to digress from a path of the narrative, and remain within a field/terrain that is still identifiably that of the text she is reading, greatly complicates metaphors of intentional movement that may be applied to the act of reading.You might not get there, and something might happen to you along the way. The digressions of hypertexts are narrative instances of slippages in the fabric of language from which they are woven. The link serves not only to join the threads it associates, but also to circumscribe a place where the threads are divided from one another.

The link is where the narrative takes a turn around a place that is inaccessible because you can only encircle it.


Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts
Enter Hypertextual as a member

Friday

Interactivity and Hypertext

In all cases of hypertextuality in Metabole, it is by using some hyperlinlinking functions that the user can "jump" from one node to another.

Then, we can extend the concept of interactivity, already utilized to describe one of the properties of a hypertextual page, to the whole hypertext. We can say that a hypertext is interactive because it allows the reader to choose for his or her own personal and often unique path of navigation through the nodes, and for the operations to carry out with the object-nodes present in each page-node.
Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts

Diminishing text-based narrative


Hyperfiction challenges the reader not only by offering multiple paths through the text.


There may be multiple endings (or no endings at all); questions posed to the reader which, once answered, influence what the reader will encounter next; audiovisual attachments; navigable maps. In fact, as hyperfiction continues to develop, the greatest challenge to the reader may be the challenge of finding the text at all, as text-based narrative seems to diminish steadily in importance in relation to the visual and aural components of the fictions.
Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts
Enter Hypertextual as a member

Sunday

Predetermined course



  • Hypertext navigation means not only traversing a space between two points in the narrative.

    To Terry Harpold, it means as well electing to diverge from a predetermined course. The possibility that the reader may choose to digress from a path of the narrative, and remain within a field/terrain that is still identifiably that of the text she is reading, greatly complicates metaphors of intentional movement that may be applied to the act of reading.
    You might not get there, and something might happen to you along the way. The digressions of hypertexts are narrative instances of slippages in the fabric of language from which they are woven. The link serves not only to join the threads it associates, but also to circumscribe a place where the threads are divided from one another.

    The link is where the narrative takes a turn around a place that is inaccessible because you can only encircle it.

    Download ebooks on http://www.frenchtheory.com/
    See that post with different algorithms in
    metabole
    See the journal
    French Metablog with today different posts
    Enter
    Hypertextual as a member