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Showing posts with label changing. Show all posts
Showing posts with label changing. Show all posts

Thursday

Always changing


A society is a collection of individuals. It can be organized in a variety of different ways, and is always changing. A static society is virtually impossible, because its composition of unique individuals is always changing. Just like the atoms and molecules in our bodies are always changing - but always organized by our genes and certain processes into this thing we call "self.

Now, for the short time each of us exists, we are a unique, but dynamic collection of "hardware" and "software." Not only are the information, value and belief systems we hold constantly changing; the body and brain themselves are constantly changing. This is partly due to aging, partly due to stress, happiness and a variety of other factors we are only beginning to understand - and many others we may never understand.



Download ebooks on http://www.frenchtheory.com/ - See that post with different algorithms in metabole - See the journal French Metablog with today different posts -

- Jean-Philippe Pastor

Sunday

Whatever works is likely true


According to Pragmatism, the truth or meaning of an idea or a proposition lies in its observable practical consequences rather than anything metaphysical.


It can be summarized by the phrase “whatever works, is likely true.” Because reality changes, “whatever works” will also change — thus, truth must also be changeable and no one can claim to possess any final or ultimate truth.


But It seems to me that some ideas succeed not because they are true, but because the audience attracted to the idea will by its composition be inclined to agree.


An example is a statement that Plato ascribes to Socrates, that “The unexamined life is not worth living.” Socrates meant that he must be free to examine the wisdom of his actions, without the restrictions Athenian voters wished to place upon him, or he would not find it worth living (thus the drinking of the hemlock). That’s certainly a point of view that may be widely shared, although different people and cultures would disagree as to what level of restriction on thoughts or speech might make life not worth living.


While Socrates’ decision is defensible, subsequent philosophers tend to take Socrates’ statement a bit further. They conclude from his statement that it is the process of examining life that gives life its value. Of course philosophers find value in examining the wisdom of ideas and lives, and feel their study of the matter gives them special insights. A philosopher who was unwilling to examine life is a bit of a contradiction in terms. That Socrates was willing to die rather than give up his right to examine his own life has made philosophers sing his praises ever after.


Personally, I have found great value in examining the wisdom of many acts in my life, yet there are many types of people in this world, and if some do not ponder the wisdom of their actions much at all, must we (or particularly they) conclude their life is less worth living? It seems awfully condescending. The people who don’t examine their lives much probably aren’t examining Socrates statement. If they did, they might object to the interpretation with which it is adopted by philosophers.


A less strongly phrased statement might be, “Until you examine your life, you are ignorant of whether it is worth living,” but is even that statement true? Perhaps life is always worth living because of something innate, because of the experiences even an unexamined life gives, or because of the effects a life can have. We ascribe a value to the life of a pet regardless of how unaware the pet is of itself or the wisdom of its own actions.


Whether a life is worth living is a subjective judgment imposed by an observer, not an objective fact. Given the many attributes that might make us conclude a life is worth living, to rest all of a judgment on whether the life is “examined” seems rather excessive. That may be what gives Socrates’ statement its power, but it may also be what robs it of some important truth.
In the spirit of Socrates, here’s a bit of parting wisdom (but even without it I bet your life is worth living): Never trust the admiration of an audience who are made more self important by their admiration.



Download ebooks on http://www.frenchtheory.com/ - See that post with different algorithms in metabole - See the journal French Metablog with today different posts

Metabolean change in the course of writing


As davis S. Miall put it, alternative models of what it means to read a literary text are abundant in the theoretical literature. The little empirical work that has taken place, however, suggests that a central characteristic of reading a poem or a novel is a transformation process, in which what the reader knows or feels undergoes a change in the course of reading.

This contrasts with other types of reading, from newspaper articles to instruction manuals, which generally appear to be cumulative, consisting of a process of conceptual model building. The latter process can clearly be simulated more easily by computer: the typical hypertext system, which provides annotations and links to related documents, enables a reader to elaborate a view of a target domain in this way. Thus a literary text can be surrounded by various supporting contexts that will enhance a reader's knowledge and understanding of it, but this is not the same process as the encounter with the primary text !


Download ebooks on http://www.frenchtheory.com/ - See that post with different algorithms in metabole - See the journal French Metablog with today different posts-Enter Jean-Philippe Pastor

Thursday

Individual man

It is, I claim, nonsense to say that it does not matter which individual man acted as the nucleus for the change. It is precisely this that makes history unpredictable into the future.



Download ebooks on http://www.frenchtheory.com/ - See that post with different algorithms in metabole - See the journal French Metablog with today different posts-Enter Jean-Philippe Pastor


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Saturday

Anticipation of change



"Such is the state of life, that none are happy but by the anticipation of change: the change itself is nothing; when we have made it, the next wish is to change again. The world is not yet exhausted; let me see something tomorrow which I never saw be”




Download ebooks on http://www.frenchtheory.com/ - See that post with different algorithms in metabole - See the journal French Metablog with today different posts -


Tuesday

Hypertext as a virtual landscape


If hypertext is a virtual landscape, we should consider the effect that time has upon topographical features.

No matter how solid they may seem, they are inexorably altered through processes of erosion and accretion. This is true whether the landscape is one of rock and soil or of words. Textual topography is formed in the reader's mind, where much of the textual content seems to erode as it fades in memory. Yet at the same time, new significance can accrete to many remembered passages as further reading sheds new light on them.

The relationships that comprise topographical contours in hypertext thus change gradually during the reading in often subtle ways.


Robert Kendall - - Time. The final frontier


Download ebooks on http://www.frenchtheory.com/ - See that post with different algorithms in metabole - See the journal French Metablog with today different posts -



Thursday

So fast the e-literature is changing


As Grigar points out, "one of the most difficult aspects of e-lit is the ability to talk about it fast enough, so fast is the landscape changing".


Since its inception, e-lit has been struggling to free itself from its generic limitations and now seems to be on the verge of doing so. At long last. Although interesting, its early manifestations were hardly groundbreaking. Collaborative narratives are as old as literature itself. Generative poetry simply adds a technological twist to Tzara's hat trick, the surrealists' automatic writing or Burroughs' cut-ups. Interactive fiction has its roots in Cervantes and Sterne. Hypertexts seldom improve on gamebooks like the famous Choose Your Own Adventure series, let alone BS Johnson's infamous novel-in-a-box.


Besides, if you really want to add sound and pictures to words, why not make a film?


Download ebooks on http://www.frenchtheory.com/ - See that post with different algorithms in metabole - See the journal French Metablog with today different posts


So fast is the e-literature changing

As Grigar points out, one of the most difficult aspects of e-lit is the ability to talk about it fast enough, so fast is the landscape changing.

Since its inception, e-lit has been struggling to free itself from its generic limitations and now seems to be on the verge of doing so. At long last. Although interesting, its early manifestations were hardly groundbreaking. Collaborative narratives are as old as literature itself. Generative poetry simply adds a technological twist to Tzara's hat trick, the surrealists' automatic writing or Burroughs' cut-ups. Interactive fiction has its roots in Cervantes and Sterne. Hypertexts seldom improve on gamebooks like the famous Choose Your Own Adventure series, let alone BS Johnson's infamous novel-in-a-box. Besides, if you really want to add sound and pictures to words, why not make a film?

Download ebooks on http://www.frenchtheory.com/ - See that post with different algorithms in metabole - See the journal French Metablog with today different posts
-
PHONEREADER Library - - Jean-Philippe Pastor

Metabole and tragedy

The word metabole is employed by Aristotle in his definition of peripety (Poet. 1452a 22-23), which Anton F. Harald Bierl, Dionysos und die griechische Tragödie.1991) regards as somehow connected with Dionysus.

He is tempted by the thought that Aristotle borrowed it from the poets, or at least that it belonged to a dramaturgical vocabulary that had already sprung up by the time of HF (143 n. 88, 225). This word, Bierl thinks, signals metatragically the critical moment when the action is about to take a sudden turn (it does just that at the conclusion of the third stasimon, 815ff.). The mad Heracles is characterized in Dionysiac imagery (esp. 889-98, just before he kills his children). According to Bierl, Heracles unites the two sides of Dionysus: he reflects the positive, cultic side of the god in the first half of the play, where he is the embodiment of Bacchic hope in the eyes of his loved ones, and the negative, mythical side in the second half, where he becomes their murderer.
In sum, an evocation of the Dionysus in his theatrical dimension might
(a) serve as a dramaturgical signal, a device to prepare the audience for a subsequent turn of events. It might
(b) induce the audience to experience vicariously the optimism of the dramatis personae (e.g. of the chorus in Sophocles' plays) by calling forth the "positive" cultic context. It might
(c) call attention to the operation of tragedy, especially the sudden reversal, which Aristotle called peripety; theatrical metalanguage (e.g. metabole [HF 735], eleos and phrike [Phoen. 1284-87], phroimion [HF 753]) can suggest the tragic principle of sudden reversal. Finally, it might (d) cause the audience to reflect on the theatrical illusion (Hel., cf. Cho., IT) or on the value of the theater for the polis (Bacch. does this by dramatizing, through the monitory example of Pentheus, the breakdown of theatrical communication).

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Connectez-vous sur hypertextual.net l'Hypertexte Principal de la Solution -

Wednesday

New content

Search engines do not want old, outdated content on their search results, so you must make sure to add new content to your site on a consistent basis. Both humans and spiders like to see new content on your Web site. Make sure to update your content to make sure it is up to date and relevant.

You can make simple grammatical changes to your site or add pages -- anything counts as new content. If you stop adding new content to your Web site, your rankings will start to slip and fall way below your desired results. If you see your rankings start to slip, make sure you add new content to your site.

Download ebooks on http://www.frenchtheory.com/ - See that post with different algorithms in metabole - See the journal French Metablog with today different posts -

Movement across frames


Where there is no character or object movement across frames, but a shot sequence is produced by editing, then it is extremely common to conceal an edit in classical cinema by cutting on action. This is where the editor, for instance, will cut on a character's movement (such as lifting a cup) and the common movement of the character in each shot is used to help conceal, and smooth, the edit.

In The Searchers the movement of Aaron to open the homestead door for the "reverend" is used to motivate the change in point of view.

Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts

Thursday

Bovarism



Hypertextual continually returns to the theme of changing, transformation and role of narrative, perhaps in an attempt to draw the reader into questioning the future of narrative, specifically as it relates to new media.


Hypertextual wants to define narrative as giving a context in which we can explore -- and subsequently come closer to understanding through further illumination - web behaviors and the numerical condition. We believe that narrative is a method through which we can isolate scriptor's traits, project them beyond ourselves, and contextualize them in a medium which can be used to understand reading behaviors and cultural society.Narrative under this description seems to accord very well with projectionist theories of religion, specifically Feuerbach. Ludwig Feuerbach, in his work, “The Essence of Christianity”, explains religion as man’s projecting his own humanity beyond himself into a transcendent reality in order to understand his own characteristically human experience.


Hypertextual works like this projection. An ideality. The text is projected in a transcendent ideality. And the author is identified with his own words."Madame Bovary, c'est moi !" used to say Gustave Flaubert !
Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts

Rehabilitation of the extant


Heidegger's ontology is a true ontology of transformation, an ontology of permanent mutation. Being is transformist.

Today, what is "fantastic" is that one can see the machinery of Being, its process having been fully uncovered. But there are two ways of transforming one's being:
It can be done in a "flexible" manner, one that acquiescently responds to the exigencies of "ontological capitalism." Or it can be done in a "metabological" fashion, one that is creative and explosive. Being offers these two modalities of mutation, or rather they are found in the extant (l'étant). Everything mutates and changes. There is no position outside of the extant that can protect us from the mortifying effects of flexibility. But the extant can give us something to resist with, but only if we realize what it can do.

Against all expectation, "salvation" will not come from Being, but from the rehabilitation of the extant.

Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts

Wednesday

Moving in the narrative


To choose among 8 algorithms in the hypertext...This is a situation where the issue of typed links becomes important. How many clues do I want to give that a link will move to another narrative, or to an expository section "far away"? If none, will the reader be confused? If too many, will the reader ignore the links that are meant to contextualize the current node?

Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts

Tuesday

Crown for changing


Proteus, obeying a practice among the Egyptian rulers, wore upon his head now the forepart of a lion, now that of a bull, now a serpent, now trees or fire, as symbols of his sovereignty.

And for this reason, some believed that the Greeks, unable to grasp what they had in front of their eyes, thought that Proteus was changing his form when he just changed his crown...

Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts

Sunday

Changing form


The most remarkable feature of Proteus is his ability to change form. But whereas some whose form has been changed remain in their new state, Proteus can continuously assume new forms, looking as a young man, a lion, a boar, a serpent, a bull, a stone, a tree, water, flame, or whatever he pleases.

Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts

Saturday

Reading path


Although you cannot change my text, you can write a response and then link it to my document.

You thus have read the readerly text in several ways not possible with a book: you have chosen your reading path, and since you, like all readers, will choose individualized paths, the hypertext version of this book would probably take a very different form, perhaps suggesting the values of alternate routes and probably devoting less room in the main text to quoted passages.

You might have also have begun to take notes or produce responses to the text as you read, some of which might take the form of texts that either support or contradict interpretations proposed in my texts.
Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts

Monday

Self-changing text



Espen Aarseth defines hypertext as a "self-changing text in which scriptons and traversal function are controlled by an immanent cybernetic agent, either mechanical or human…" (...)


The idea of "self-changing text" seems to side step the issue that hypertext can reconfigure the role of the reader, and the author. "Self changing" hints that something else is in control. Perhaps the text itself. In his chapter in Landow's (Hyper/Text/Theory, 1994) book, Aarseth defines hypertext as "merely a direct connection from one position in a text to another".

But this does not indicate that hypertext can also change the reader's position from one text to an entirely different text in an entirely different docuverse-with merely the click of a mouse.

Actually, Aarseth spends much of his book, Cybertext: Perspectives in Ergodic Literature, explaining that we currently have no language to adequately talk about what it is that is happening in hypertext.

Download ebooks on http://www.frenchtheory.com/

See that post with different algorithms in metabole

See the journal French Metablog with today different posts


Saturday

Changing hypertextuality


With Hypertextual’s way of reading, we could undermine the user's predictable points of identification by changing the number and the content of scripting, regulate the reader's possibilities to read in time, decide to what he may return or whether he may do so at all, circulate characters between numerous positions, or process the traces of configurative uses of a cybertext as toxic waste in the "fictive" world it is supposed to contain…

From this viewpoint it is sometimes hard to understand the constant attraction to static hypertexts.

Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts
Enter Hypertextual as a member

Friday

All of a sudden

A "catastrophe" is an abrupt change in a variable(s) during the evolution of a system that can be modeled by structural equations and topological folds.

Catastrophes are governed by control parameters whose changes of values leads either to smooth transition at low values or abrupt changes at higher, critical values. Catastrophes indicate points of bifurcation in dynamical systems.
For example, the way a dog can change abruptly from a playful mood to an aggressive stance can be modeled by a simple "catastrophe." In organizations, the presence of sudden change can similarly be modeled using Catastrophe Theory.

In recent years, Catastrophe Theory is understood as a part of Nonlinear Dynamical Systems Theory in general.