Zizek on democracy

That’s ideology today. We don’t believe in democracy—nobody.

You make fun of it and so on, but somehow we act as if it works. It’s a very strange situation, because there are—some of us old enough still remember them, old days when the public face of power was dignity, belief. And privately you mocked it, you made fun, and so on, no?

Now we are, I think, approaching a very strange state, where the public face of power is becoming more and more openly indecent, obscene. Look at Sarkozy in France. Look at Berlusconi in Italy, who is systematically undermining, for over five years now, the minimum of dignity of the state power. I mean, you are again and again surprised how is this possible. You know, after those sex scandals, two weeks ago, his lawyer, Berlusconi’s lawyer, made a public official statement, where he said that the claims that Berlusconi is impotent are lies and that Mr. Berlusconi is ready to prove this in court. Now, how? How—what did he mean?

You know, there is a level of obscenity, but this shouldn’t deceive us. We really live in cynical times, not just in this cheap sense they don’t take themselves seriously, but in the sense that—how should I put it?—the ironic self-undermining, making fun of yourself, is in a strange way part of the game. It’s as if the system can function even if it makes fun of itself.

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Irrelevant practice of writing

Jameson relates the bourgeois attitude toward art as separate from social reality directly to the ideology of bourgeois individualism.

This ideology leads to the perception that private life is sharply distinguished from the public world of politics in a way that parallels the bourgeois tendency to treat art as a self-enclosed realm separate from the social and political world. But this perception of art does not elevate it as somehow superior to everyday reality; instead it merely renders art irrelevant, diminishing its function in life. Similarly Jameson insists that the ostensible privileging of the private over the public that is central to bourgeois individualism actually impoverishes private life by obscuring the domination of the individual by capitalism and creating a false illusion of individual autonomy.

Far from creating the strong, independent individuals mythologized by bourgeois ideology, capitalism "maims our existence as individual subjects and paralyzes our thinking".

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Political context

Literature and culture cannot be separated from their social and political context.

We must careful attention to both form and content in elaborating the political significance of cultural artifacts, and a strong commitment to the necessity for a utopian element in critical thought.

For instance, Jameson's work is marked by a sophisticated use of concepts from poststructuralist, psychoanalytic, and other forms of critical thought, but it remains firmly rooted in the Marxist tradition. It also provides an important methodological model in its insistence on the importance of a metacritical approach—that is, on criticism that not only discusses its object but also performs self-conscious critical examinations of the grounds of its own inquiry.

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See the journal French Metablog with today different posts