METABLOG EBOOKS FROM GOOGLEBOOKS

METABLOG EBOOKS FROM GOOGLEBOOKS
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Showing posts with label nonfiction. Show all posts
Showing posts with label nonfiction. Show all posts

Sunday

Metabolean Hypertextopia


Metabolean Hypertextopia


This website was first created in 2005, built to serve as a central location to link to the diverse online materials available on the Internet.

At that time, Internet mobile portals did not yet exist. What rhetoric pages on the Web did exist were heavily colored by the perspectives of their host institutions. This site hoped to publish what resources it could, and to link to all, serving as a central "map" to the rest. Even so, many people referred to it as the Metabolean Site; some people refer to it that way to this day, even though the site has physically moved to another place.

And today, of course, there are far more resources online than we could index adequately with a single online editor--even if s/he wrote HTML day and night. So this website is today based on a modern content management system, one that allows volunteers, reviewers and editors to collaborate to post new materials, and to link to the complex web of online resources located across the Internet that comprise the complex network of rhetoric resources online.

So we're developing an extensive collaboration here, within a modern web publishing system that will allow our volunteers to spend as much or as little time as they choose, and will allow us to offer any state-of-the-art web technologies (e.g. blogs, threaded discussion boards, database-driven content pages, streaming media, etc.) we believe useful to the site.


- See the journal French Metablog with today different posts - Jean-Philippe Pastor

Friday

Saleable ebooks


Myths abound about print books being the right kind of book and eBooks are on their last leg. These ideas spring from traditional publishing.


Hopeful authors have read it many times--that a true book, one that will bring you reverent kudos, must be in print and must be long. And it must have a top agent and publisher. Maybe true five-ten years ago. Like you, I believed it at first and went down that rocky road to get an agent, then publisher. Way too hard and took way too long.
My first rule. Write a short book first. Notice famous authors such as Ken Blanchard did.

Second rule. Write a non-fiction, self-help book first, then a novel. You'll experience more success with a non-fiction. Then, you can use the profits to stay the long haul for your fiction. Follow my lead. First, I wrote print booklets or journals and sold them at the back of the room in seminars of the same name. This led to thousands of income each month. Then I read self-publishing books such as Dan Poynter's. Right track. But, then I realized one can write a print and an eBook at the same time. And, you can sell either from your own Web site. Or, you can take a 50% or less royalty and sell from someone elses's site.

Remember one great benefit of eBooks. The author gets by with little cost. You can send the books via email if you don't have a Web site yet, and you can offer them as downloads at your site.One great benefit of short eBooks. Your audience loves them. They don't want to spend a lot of time reading. They want quick solutions in an easy to read format. They don't want long books over 130 pages with too much extraneous information. Give them answers to their questions and you'll have a fan for life.The sad truth that no emerging authors wants to believe--that they can get the publisher to publicize, promote and market their book. Not true. It's amazing how many bookcoaching clients really want to turn it all over to someone else. The problem is it's way too expensive, and no one knows nor has more passion for a book than the author. It's not money that rules, but a creative approach to sharing your wealth.Another rule. If you can write a book, you can also write ad copy for the book's introduction, the short "tell and sell," the back cover, or the Web or email sales letter. You just need some coaching from a pro. Start a promotion savings account and spend a little to get the best words that will attract and give your audience enough information to make it easy to buy.

Join a telegroup that writes each week and exchanges files with each other. Of course make sure the bookcoach is savvy and knows how a saleable book is put together, knows short cuts to write fast, and clear, and gives you useful feedback to help your book grow and get born.What's your intention? To think it takes too much time, too much money and you aren't much of a writer? If you can get by your resistances, you can learn how to write --well. If you put a little daily attention on your book project, you can finish it. Take some small action today and feel powerful, because authors are a special breed-and the club is awaiting your good news.

Judy Cullins, 20-year Book and Internet Marketing Coach works with small business people who want to make a difference in people's lives, build their credibility and clients, and make a consistent life-long income.


Author of Write Your eBook or Other Short Book Fast and 10 others, she offers free help through her 2 monthly ezines, "The Book Coach Says. . .," and "Business Tip of the Month." at http://www.bookcoaching.com./ Email her at Judy@bookcoaching.com or Cullinsbks@aol.com Phone: 619/466-0622 -- Orders: 866/200-9743

Download ebooks on http://www.frenchtheory.com/ -

See that post with different algorithms in metabole -

See the journal French Metablog with today different posts -

Sunday

Hypertextual minimal unit

This is not particularly suprising as it is apparent that hypertextual fragments (nodes) can, like cinematic shots, be arranged in numerous sequences and that there is no intrinsic and necessary grammar to this (Miles, 1999).
An earlier emphasis on the cinematic nature of the connection between hypertext nodes (Miles, 1999), while important, does not provide an adequate account of the production of narrative (fiction or nonfiction) sequences in hypertext. Like the cinema, it is apparent that hypertext requires a minimal unit constituted by the set of nodes conjoined. That this has been the case in much extant hypertext fiction is clear. Such a process has been much less common in what has been routinely described as hypertext nonfiction.

Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts