Hypertextual minimal unit

This is not particularly suprising as it is apparent that hypertextual fragments (nodes) can, like cinematic shots, be arranged in numerous sequences and that there is no intrinsic and necessary grammar to this (Miles, 1999).
An earlier emphasis on the cinematic nature of the connection between hypertext nodes (Miles, 1999), while important, does not provide an adequate account of the production of narrative (fiction or nonfiction) sequences in hypertext. Like the cinema, it is apparent that hypertext requires a minimal unit constituted by the set of nodes conjoined. That this has been the case in much extant hypertext fiction is clear. Such a process has been much less common in what has been routinely described as hypertext nonfiction.

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See that post with different algorithms in metabole
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