Novelist sensibility towards his characters

Kant's aesthetics is well known for the view that judgments of taste are "subjective," but these subjective judgments are universal claims.

Furthermore, in the case of dependent beauty, as defined by Kant, there is an objective orientation to the experience, which will justify the use of terms like "seeing", "vision" and so on, in a theory of novelist sensibility. we can make an analogy between moral sensibility and the sensibility of a novelist as manifested in his act of creation explains how the goodness of others can be revealed. This analogy is developed in terms of the writer's love unconditionally displayed toward his characters, a love that seeks to see goodness in them and understand their suffering. The novelist's sensibility disrupts his natural selfishness, thus releasing him from self-concern to make him capable of loving the real others from a detached, unsentimental and objective viewpoint.

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