Semiotician Christian Metz developed a syntagmatic schema of the varieties of cinematic sequence.
He described the extent to which these offer a methodology to reconsider our notions of link rhetoric and link typology. With Metz' description, we can see that much of the appropriation of cinema within hypertext is founded on a common misconception of there being an a priori formal cinematic grammar. Cinema relies upon the contextual and pragmatic basis of connection for the production of meaning, and has clear applicability to a posteriori attempts to determine rhetorical structure in hypertext.
The assumption of an isomorphic relation between hypertext and cinema is fundamental to this thesis.
See that post with different algorithms in metabole
See the journal French Metablog with today different posts
Enter Hypertextual as a member
He described the extent to which these offer a methodology to reconsider our notions of link rhetoric and link typology. With Metz' description, we can see that much of the appropriation of cinema within hypertext is founded on a common misconception of there being an a priori formal cinematic grammar. Cinema relies upon the contextual and pragmatic basis of connection for the production of meaning, and has clear applicability to a posteriori attempts to determine rhetorical structure in hypertext.
The assumption of an isomorphic relation between hypertext and cinema is fundamental to this thesis.
See that post with different algorithms in metabole
See the journal French Metablog with today different posts
Enter Hypertextual as a member
