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Tuesday

Move paradigm in hypertextuality

Apture This text is Apture enhanced (click or underline words you need ton inspect).



Some hypertext theorists take an extreme view of the notion that readers should be expected to move by example or paradigm. A group of theorists calling themselves only "The Critical Art Ensemble" argue,

the tyranny of paradigms may have some useful consequences (such as greater efficiency within the paradigm), but the repressive costs to the individual (excluding other modes of thinking and reducing the possibility of invention) are too high. Rather than being led by sequences of signs, one should instead drift through them, choosing the interpretation best suited to the social conditions of a given situation .

Again, paralogic hermeneutics is remarkably prepared to agree. Kent states that the piece of communication (icon, sentence, utterance) is forever separated from the consequence of its existence. Kent revisits Derrida on this subject:

Our inability to reduce every use of language to one hermeneutic strategy come about because of the iterability of the sign or sentence; as Derrida phrases it, 'the sign possesses the characteristic of being readable even if the moment of its production is irrevocably lost and even if I do not know what its alleged author-scriptor consciously intended to say at the moment he wrote it, i.e., abandoned it to its essential drift'.

In refusing to predict the inventive accommodation that allows for communication, proponents of paralogic hermeneutics do accommodate the nebulous nature of hypertextual movement. When I surf the web, I rarely end in a predictable spot. Therefore, I find myself paying closer attention to my path and the connections between seemingly disparate web texts. This attention to the connections often helps me to recognize patterns that would otherwise go unnoticed. More traditional texts, in attempting to control "drift", may try to keep readers moving along a certain track, but if an individual traces her own path toward understanding a concept, there are inevitably twists and turns that create a road to knowledge that no other mind would, or could re-create.


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