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Saturday

Double reading


According to Simon Critchley, the principle of alterity within a deconstructive praxis can be found in the strategy of 'double reading'.

'If the first moment of reading is the rigorous, scholarly reconstruction of the dominant interpretation of a text, its intended meaning (vouloir-dire) in the guise of a commentary, then the second moment of reading, in virtue of which deconstruction obeys a double necessity, is the destabilization of the stability of the dominant interpretation' (Critchley, p.26). The second moment contradicts the text with itself, opening its intended meaning to an alterity that goes against what a text was purported to say or mean. (An example of a double reading in music can be found in Gerd Zacher's Kunst einer Fuge [Art of a Fugue].) Derrida often articulates this double reading around what is called undecidables.

Critchley claims that 'it is precisely in the suspension of choice or decision between two alternatives, a suspension provoked in and through an act of reading, that the ethical dimension of deconstruction is opened and maintained' (Critchley, p.88).

Deconstruction is characterized by the impetus to clear the way for an experience of the other. An affirmative strategy. An affirmative strategy of transformation. Of transforming and transgressing Western thought. To get ready for the coming of the other.

See Cobussen who wrote this text.

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