In Creative Evolution Bergson argued that the creative urge, not the Darwinian concept of natural selection, is at the heart of evolution. Man's intellect has developed in the course of evolution as an instrument of survival. It comes to think inevitably in geometrical or 'spatializing' terms that are inadequate to lay hold of the ultimate living process. But intuition goes to the heart of reality, and enables us to find philosophic truth.Bergson's thinking and concept of time has influenced greatly Arnold Hauser, Claude Simon, William James, Alfred North Whitehead, Santayana, and such authors as Péguy, Valéry, and John Dos Passos. Whitehead expanded Bergson's notions of duration and evolution from their applications to organic life into the phycial realm. It is said that for Marcel Proust, whose cousin Bergson married in 1891, the philosopher gave the idea for the great novel of reminiscence, À la recherche de temps perdu (1913-27). Sartre also paid tribute to Bergson, and Martin Heidegger, whose ontology is echoed in existentialist writing, used some of Bergson's concepts, such as "no-being". However, Bergson's influence on existentialism is not straight forward and in his own time the philosopher was considered an empiricist.
On the other hand, Bergson's argumentation frustrated such philosophers as the empiricist Bertrand Russell, who criticized his thoughts in 1914 and later returned to them in History of Western Philosophy. Philosophers have pointed out that Bergson did not satisfactorily show how intuition could work apart from intellect. Albert Einstein found serious mistakes from Bergson's DURÉE ET SIMULTANÉITÉ À PROPOS DE LA THÉORIE D'EINSTEIN (1921), dealing with Einstein's theory of relativity. Bergson had opposed in 1911 Einstein's ideas, but then his view had changed and he introduced the concept of non-linear time. Bergson is generally regarded as having lost his public debate with Einstein, but some of the leading physicists have devoted articles to his work.
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