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Tragedy and comedy

According to Aristotle (Poetics, ch. 4), tragedy originated from the improvisations of the exarchontes (song leaders) of the dithyramb, while comedy originated with the leaders of the "phallic songs."

A dithyramb was a religious hymn in honor of Dionysus, and the Dionysiac origin of tragedy was in antiquity taken for granted, Dionysus being the god of theater as much as the god of wine, vegetation, and fertility.
However, tragedy lost its Dionysiac associations very early, and only one of the preserved plays, indeed the very last tragedy of Euripides, Bacchae, has a Dionysiac content, namely the myth of resistance to the introduction of Dionysus's cult to Thebes, and the god's devastating revenge upon the city. Dithyramb, too, gradually lost its religious connection to Dionysus and developed into choral poetry that drew its subjects from mythology (like tragedy).

Dithyrambs were also regularly performed in the Dionysiac festivals.


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