The consideration of hypertext structure as consisting of 'whole' syntagmatic series, which in turn become the paradigmatic sets available, has complex implications which require further research.

It would appear that the relation of one node to another, via a link, while significant, gains greater currency when considered from the point of view of a discrete syntagmatic segment (which could, in principle, consist of two nodes). However, such an approach discounts the origin of the link in a manner that is probably untenable - in cinema this is irrelevant as the point of connection is the end of one shot and this is, currently, the only point of connection. Obviously a hypertext provides a point within a node from which connection is possible, and thus for a syntagmatic series to be formed, and so the relation of the link source to its destination also forms a syntagmatic series.

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See that post with different algorithms in metabole
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