It appears therefore that the paradigmatic category in film is condemned to remain partial and fragmentary, at least as long as one tries to isolate it on the level of the image. This is naturally derived from the fact that creation plays a larger role in cinematographic language that it does in the handling of idioms: To "speak" a language is to use it, but to "speak" cinematographic language is to a certain extent to invent it.
Download ebooks on http://www.frenchtheory.com/
See that post with different algorithms in metabole
See the journal French Metablog with today different posts
